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Film
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Film Audiences : Personal Journeys with Film
Reception studies have made film audiences increasingly visible, while surveys track trends and policymakers gather information about audience preferences and demographics.But little attention has been paid to the specific contextual relationships and interactions between films and individuals that generate and sustain audiences.This monograph develops the idea of audiences as interactive and relational, introducing three innovative concepts: ‘personal film journeys’, five types of audience formations and five geographies of film provision.A major challenge of audience research is how to capture the richness of people’s social and cultural engagement with film.To achieve this, the book uses an innovative mixed-methods research and computational ontology.It develops ground-breaking theory and concepts and an innovative methodology based on an extensive data-set derived from the under-researched area of British regional film audiences. -- .
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History on Film/Film on History
History on Film/Film on History has established itself as a classic treatise on the historical film and its role in bringing the past to life.In the fourth edition of this widely acclaimed text, Robert A.Rosenstone argues that to leave history films out of the discussion of the meaning of the past is to ignore a major means of understanding historical events. This book examines what history films convey about the past and how they convey it, demonstrating the need to learn how to read and understand this new visual world and integrating detailed analysis of films such as Schindler’s List, Glory, October, and Reds.Advocating for the dramatic feature as a legitimate way of doing history, this edition includes a new Preface and a new chapter that focuses on films produced in Latin America, Africa, the Middle East, India, and East Asia. Examining the codes and conventions of how these films tell us about the past and providing guidance on how to effectively analyse films as historical interpretations, this book is an essential introduction to the field for students of history and film.
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Film Psychoanalysis : Relational Approaches to Film Interpretation
Through the development of psychoanalytically informed film interpretation, Andreas Hamburger provides new insights into the experience of watching films and their influence upon our internal lives. Building upon a relational understanding of psychoanalysis, this volume develops a methodical procedure for psychoanalytical film interpretation, discusses individual aspects of the medium – such as editing, spatial and temporal design – and puts approaches to film psychoanalysis and cinema theory into a systematic perspective.Hamburger exemplifies his arguments in a detailed analysis of numerous film examples and demonstrates how an in-depth encounter with the medium can provoke new and surprising understandings. Providing an interdisciplinary perspective that crosses the study of popular culture with psychoanalytic theory, this book will be required reading not only for students and scholars of film, but also for psychoanalysts in practice and training.
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How do white spots look on a privacy screen film?
White spots on a privacy screen film typically appear as small, irregularly shaped areas that are lighter in color than the rest of the film. These spots can be caused by air bubbles or dust particles getting trapped between the film and the surface it is applied to. They can be distracting and affect the overall appearance of the film, so it's important to properly apply the film to minimize the occurrence of white spots. Regular cleaning and maintenance can also help prevent the formation of these spots.
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How do white spots appear on a privacy screen film?
White spots can appear on a privacy screen film due to air bubbles getting trapped between the film and the surface it is applied to during installation. These air bubbles can create a separation between the film and the surface, causing white spots to form. Additionally, dust or debris on the surface before applying the film can also lead to the formation of white spots. To prevent white spots, it is important to carefully clean the surface before applying the film and ensure a smooth, bubble-free installation.
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Is mirror film not as reliable for privacy after all?
Mirror film may not be as reliable for privacy as initially thought. While it can provide some level of privacy by reflecting light and creating a mirrored effect, it may not completely block out the view from the outside. Additionally, the effectiveness of mirror film can be affected by factors such as lighting conditions and the angle of view. Therefore, it may not be the most reliable option for privacy, especially in situations where a high level of privacy is required.
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How does Orbot ensure anonymity and security?
Orbot ensures anonymity and security by routing internet traffic through the Tor network, which encrypts and bounces the data through a series of relays to hide the user's IP address and location. This helps to prevent websites and online services from tracking the user's online activities. Orbot also allows users to access websites and services that may be blocked in their region, further enhancing their privacy and security online. Additionally, Orbot can be used in conjunction with other privacy tools, such as VPNs, to provide an extra layer of protection.
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On Film
The first edition of Stephen Mulhall's acclaimed On Film was a study of the four Alien films, and made the highly original and controversial argument that films themselves can philosophise.In its second edition, On Film increased its breadth and vision considerably to encompass films such as the Mission: Impossible series and Steven Spielberg's Minority Report. In this significantly expanded third edition Stephen Mulhall adds new chapters on the Jason Bourne films, the fourth Mission: Impossible movie, JJ Abrams' Star Trek and Star Trek: Into Darkness, and Ridley Scott's Prometheus (in which he returns to the Alien universe he created).In so doing, Mulhall reappraises in fascinating ways the central issues taken up in earlier editions of On Film: the genres of science fiction and thriller, the impact of digital as opposed to photographic modes of technology on the nature of cinema as a medium (and its relation to television), and the fate of sequeldom in mainstream contemporary cinema (with its emphasis on remakes, reboots and multi-media superhero franchises). On Film, third edition is essential reading for anyone interested in philosophy, film theory and cultural studies, and in the way philosophy can enrich our understanding of cinema.
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Film Narratology
Most modern studies of narrative tend to focus predominantly on literature with only some reference to film.In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing. Reworking the definitive theory of narration offeredby literary scholar Mieke Bal, Film Narratology examines cinematic techniques such as external and internal narration, visual and auditive focalization, the narrative force of sound, and the ambiguities caused by voice-overs and flashbacks.Verstraten illustrates these narrative principles with a broad range of examples drawn from avant-garde cinema, golden age Hollywood, blockbusters, and European art cinema.Insightful and comprehensive, Film Narratology will surely become the standard reference of cinematic narration for film students and scholars.
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Film Listography
Now fans of the smash-hit Listography journal series (over a quarter of a million copies sold!) can list all their favorite movie picks.Featuring the colorful illustrations of artist Jon Stich throughout, Film Listography boasts over 70 list topics ranging from the classic (favorite films of all time, favorite actors, directors, and soundtracks) to the lovably idiosyncratic (top so-bad-it's-good movies, scenes that made you cringe, characters you are most like).A celebration of celluloid that's sure to entertain, this is the ultimate fill-in journal for film fanatics, list lovers, and anyone who appreciates an alternative approach to journaling.
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Film Marketing
The role of the film marketer is both vital and challenging.Promotion is one of the industry’s biggest costs, with the campaign of a large film costing up to half its production budget.Box office results, however, are wildly unpredictable: relatively few films a year make a profit.These market conditions make this a unique industry and film marketing a specific and demanding skill set that requires attention early in the career of any marketing student looking to progress in the industry. This new edition of Film Marketing is a thorough update of the first textbook in film promotion.Like in the first edition, Kerrigan takes a socio-cultural, as well as a business view of film marketing and its impact, covering different approaches to promotion according to different aims and audiences internally and externally, and across the world.This book addresses all areas of film marketing from the rigorous perspective of someone with first-hand knowledge of the trade.This new edition also includes: Additional pedagogy and visual examples to reinforce key points A more international range of cases and coverage of non-Western markets to give a global overview of film marketing across the world New and expanded sections on social media, digital promotion, transmedia and crowdfundingThis is the original film marketing text which no engaged film or marketing student should be without.
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How can you apply privacy film to a glass apartment door?
To apply privacy film to a glass apartment door, first, clean the glass surface thoroughly to remove any dirt or debris. Then, measure the dimensions of the door and cut the privacy film to fit using a sharp utility knife. Next, spray the glass with a mixture of water and a few drops of dish soap to create a slippery surface, and carefully apply the film, smoothing out any air bubbles with a squeegee. Finally, trim any excess film and allow it to dry completely before using the door.
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How can one bypass the security PIN to access a deceased person's phone?
It is important to respect the privacy and security of a deceased person's phone. Bypassing the security PIN without proper authorization is not only unethical but also illegal in many jurisdictions. Instead, it is advisable to contact the phone's manufacturer or service provider and follow their procedures for accessing the device in accordance with the law. Additionally, seeking legal advice and obtaining the necessary permissions from the appropriate authorities may be necessary in order to access the phone lawfully.
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Which film is the twin film?
The twin film of a particular movie is another film that shares similar themes, plot points, or visual elements. For example, the twin film of "Armageddon" is "Deep Impact," as both movies were released in 1998 and revolve around the threat of an asteroid hitting Earth. Twin films often arise due to coincidental similarities or because of studios rushing to capitalize on a popular trend in the film industry.
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Why is the film called The Film?
The film is called "The Film" as a deliberate choice to create intrigue and provoke curiosity in the audience. The title is simple and direct, yet it also serves as a statement about the universality and significance of the medium of film itself. By using such a straightforward title, the filmmakers may be aiming to challenge traditional naming conventions and encourage viewers to question the nature and purpose of the film. Ultimately, the title "The Film" may be intended to spark conversation and reflection about the art of filmmaking and the impact of cinema on society.
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